Wednesday, March 31, 2010

Project 365 (90/365): The Crate Escape

.:90/365: The Crate Escape:.



Let’s cap off Escapology month with a doozy of an escape, known as the Crate Escape, and show a version performed by Cyril Takayama.

Why is this particular escape very appealing? Well, it’s rather simple, really, because escaping from a packing crate after it has been shut down is quite a challenging situation. Now, if you wanted to demonstrate your skill at lockpicking from the inside, it would be interesting if they used some padlocks to slam you inside the box. On the other hand, if you just really wanted to show off how good you are, you can have the whole thing actually nailed shut.

The challenge level is further enhanced the minute you have to escape either while suspended from a burning rope in mid-air, or while you’re tossed into the water. There are many different options when it comes to that, but ultimately, whether you choose to put yourself at risk in this manner, or merely shut yourself behind a curtain and attempt to escape from behind the curtain, this is a particularly powerful and popular escape act that – believe it or not – wouldn’t cost you that much.

It’s rather economical to have a packing crate constructed for your needs, or to simply ask for one from a shipping yard, if needed be. Ultimately, you’re not really restricted from doing such a thing, and that’s definitely going to work to your advantage, to be performing something that plays to a really big crowd for the fraction of the cost of a brand-new full-scale illusion. A simple packing crate that will more likely than not support your full weight is sufficient as a finale, especially when it’s coupled with other challenging items to escape from, such as ropes, handcuffs, or a straightjacket, if needed be.

As the month of April will be welcomed by none other than Penn and Teller, it would probably be good to note this early that they have a particularly humorous albeit sadistic take on the crate escape, and you’ll like that version if I ever manage to find the video online.

March is over and done with, and April Fool’s will be coming tomorrow, but rest assured that the art of escapology will continue to be acknowledged as simply one of the most challenging, at times dangerous, and downright stupefying aspects of magic. That it requires a lot of skill and less of trickery is a great thing, and that there is no need to deal with sceptics and the likes when it comes to the rudiments of escapology is also a plus for the sensitive performer.

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